The Arts of Japan

Japanese Prints

From the Early Masters to the Modern

Michener, James A.Tuttle · 1989

Details

Titel
Japanese Prints
Untertitlel
From the Early Masters to the Modern
Erscheinungsdatum
1989
Sprache
Englisch
Medium
Print
Seitenzahl
287
Einband
Hardcover
ISBN 13
978-1-4629-0390-0
Verleger
Tuttle
Autor
Michener, James A.

Klappentext

In James A. Michener the Japanese print has found its ideal commentator. Combining the finished literary style of an outstanding novelist with a mature knowledge of his subject, he is able to bring this great art form to life in words, directly communicating his understanding, love, and enthusiasm rather than obscuring his subject in pedantry. In fact, it might almost be said that he here lets the prints speak for themselves, in a wealth of magnificent illustrations and apt but unobtrusive commentary. It is only when one has finished the book that he realizes he has been conducted on a tour of three centuries of art, a tour so carefully arranged as to give a deep understanding of the history and aesthetics of Japanese prints, a new appreciation of a superlative art.

The book has many other unique features. So far as consonant with his aim of presenting a full survey, Mr. Michener has illustrated the book with lesser-known masterpieces rather than with those few prints that have been reproduced almost ad nauseam. Unlike earlier books, this does not stop with the past century, but brings the subject completely up to date, introducing, in the modern Japanese print, some of the most exciting art being created in Japan—and in the world—today. The book also becomes a revealing account of the collecting of Japanese prints, with many valuable hints to collectors based upon the author's own experiences in gathering together one of the best print collections of recent years: it is a collecting field in which many hints are needed, with prices varying from $5 to $5,000 per print, and with forgeries and doubtful attributions on every hand.

The final section of the book contains authoritative notes concerning each print, prepared by Richard Lane. In Mr. Michener's words, Dr. Lane "with his meticulous knowledge of Japanese and his love for ukiyo-e seems certain to become America's equivalent of the great German scholar Fritz Rumpf."

It is appropriate that such a book should have been produced in Japan, and with the unstinting support of the Honolulu Academy of Arts—the increasingly important museum at the "crossroads of the Pacific"— where Mr. Michener's collection is presently housed. No effort has been spared, especially in the faithfulness of the reproductions, to make it a worthy example of the high standards of modern Japanese bookmaking, drawing upon the same traditions of painstaking craftsmanship that produced the Japanese print.

Inhaltsverzeichnis

  • List of Artists and Prints
    6
  • Introduction
    11
  • Section 1: The Early Prints
    25
  • The Beginnings
    28
  • Kiyonobu, Kiyomasu
    34
  • Masanobu
    48
  • Minor Masters
    60
  • The End of an Epoch
    71
  • Section 2: The Full-Color Prints
    89
  • Harunobu
    92
  • Koryusai
    104
  • Buncho
    110
  • Shunsho, Shunko, Shun'ei
    114
  • K. Masanobu, Shigemasa, Toyoharu
    126
  • Kiyonaga
    131
  • Utamaro
    142
  • Sharaku
    151
  • Choki
    158
  • Shuncho
    162
  • Eism, Eisho, Shucho
    168
  • Section 3: Landscape and Figure Prints
    175
  • Hokusai and Followers
    178
  • Toyokuni
    192
  • Minor Masters
    200
  • Hiroshige
    208
  • Section 4: The Moderns
    217
  • Transition
    220
  • First Group
    226
  • Onchi
    234
  • Second Group
    238
  • Notes on the Prints
    251
  • Bibliography
    283
  • Index
    285