Japanese Design: A Survey Since 1950

Katsui Mitsuo · Marcus George H.

Philadelphia Museum of Art · Harry N. Abrams · 1995

Japanese Design: A Survey Since 1950 was released in 1994 in conjunction with the exhibition of the same name at the Philadelphia Museum of Art. This catalog offers insightful introductions, essays, and biographies written by the exhibition curators with contributions from 15 Japanese critics, historians, and designers.

Details

Title

Japanese Design

Subtitle

A Survey Since 1950

Publication Date

1995

Publisher

Philadelphia Museum of Art

Harry N. Abrams

Designer

Katsui Mitsuo

Editor

Marcus George H.

Medium
Print
Binding

Hardcover

ISBN 13

0-8109-3509-0

Page Count

236

dimensions

21 x 23 mm

Language
English

Blurb

The first comprehensive presentation of modern design in Japan, this elegant survey documents a unique interpretation of the forms and aesthetics of products made for everyday use. Tracing the development of more than 250 objects—ranging from a simple white porcelain soy-sauce container of the 1950s to the complex electronic equipment and pace-setting fashions of the 1980s and 1990s—this book examines the work of designers who have boldly challenged their Western counterparts in terms of adventurousness and originality.

Encompassing the fields of furniture, fashion, textile design, housewares, consumer electronics, graphics, packaging, and crafts, Japanese Design explores the indefinable quality that makes these objects quintessentially Japanese. Over 310 illustrations, 246 in color, demonstrate that, regardless of their style or function, they share an aesthetic rooted in the concepts of compactness, craftsmanship, humor, asymmetry, and simplicity. Combined with Japan's highly developed craft tradition and the imagery of its paintings and prints, these contribute to a broad visual vocabulary shared by designers throughout the country today, so that even a television set or a fire fighter's uniform has unmistakably Japanese characteristics.

The history and spirit of Japanese design are examined in the 19 essays that serve to introduce the subject. In their insightful introductions, Felice Fischer and Kathryn B. Hiesinger, curators at the Philadelphia Museum of Art, describe the antecedents of Japanese design and its postwar history, while a group of well-known Japanese designers, critics, and corporate managers discuss design education, marketing, government, and organizational involvements; survey the development of their particular fields; and provide personal statements and corporate histories that present a rich, varied picture of the essence of Japanese design.

Critical biographies of designers and makers, with appended bibliographies, complete this stunning volume, which accompanies an exhibition held at the Philadelphia Museum of Art in the fall of 1994. Japanese Design is sure to become an indispensible source for everyone interested in contemporary design.

Table of Contents

Japanese Design: From Meiji to Modern

Fischer Felice

8

Design and Government

Arai Shinichi

20

Design and Marketing

Nakanishi Motoo

22

Design Organizations

Toyoguchi Kyō

25

Design Education

Mukai Shūtarō

26

Furniture

Sugasawa Mitsumasa

32

Fashion

Fukai Akiko

37

Packaging

Kimura Katsu

38

Graphics

Kamekura Yūsaku

39

Designer Statement

Kawasaki Kazuo

42

Designer Statement

Watanabe Riki

43

Company History: GK Design Group

Ekuan Kenji

44

Company History: Honda

Iwakura Shinya

45

Company History: Kenmochi Design Associates

Matsumoto Tetsuo

46

Company History: Nippon Design Center

Nagai Kazumasa

47

Company History: Sony

Yamaguchi Matami

47

The 1960s

74

The 1970s

104

The 1990s

192

Biographies

205

Selected Biographies

230

Acknowledgements

232

Index of Designers and Makers

234